2017 “Walter Ferrato” Composition Competition

This composition competition is an international event dedicated to Walter Ferrato, a famous pianist and teacher from Savona. The competition will be a key element of Savona International Music Festival Primavera Sacra and it will contribute to enrich an artistic proposal which has reached in 2017 its fifth edition. The principal objective of the competition is to give support to the composition of new musical pieces and to promote the creativity in the musical field. Our hope is to bring the best emerging talent of composition from all over the world to Savona.

Applications are open internationally, without limits of age, aesthetic trends and compositional styles. Our aim is to stimulate a dynamical relationship between an active audience and authors sensitive to creative innovation. The winners will receive their awards in a special ceremony during the Festival and their compositions will be played as a concert, part of the Festival itself. Three members of Ensemble Nuove Musiche will play the winning compositions, together with pieces of music which might receive a special mention, and with other pieces of contemporary music, carefully selected by the jury.A further aim of the competition is to act as a significant occasion of cross interaction, overcoming generational and geographical divides. Different generations of composers will have the opportunity to meet and compare their various perspectives. The same will happen between musical schools of different origins, born from different cultures but sharing the universal language of sound.

The Musical Edition Da Vinci Publisher (https://amiosaka.com/da-vinci-classics/), with office in Osaka in Japan, will publish the winner’s piece. This support is further confirmation of the international profile of the competition.

Applicants must pay a fee, under title of a donation, as a reimbursement of expenses (non-refundable) of 15 Euros by bank transfer. Payment to be made to Associazione musicale Ensemble Nuove Musiche, specifying Competition Walter Ferrato 2017.

Further information available at http://www.ensemblenuovemusiche.eu/en/concorso-di-composizione/

Orkest : de ereprijs Invitation to the 23nd Young Composers Meeting 2017

From February 12-17, 2015 the 23rd successive International Young Composers Meeting will take place in Apeldoorn, The Netherlands. The meeting is organized by orchestra de ereprijs in collaboration with the International Gaudeamus Music Week.

The directors of the 23rd meeting are Martijn Padding, Richard Ayres, Joe Cutler and Christopher Trapani.

They will get together with 16 potential and coming talents selected by the seniors. The aim of the meeting is to rehearse the young composers’ score with de ereprijs and up to 5 voices, to exchange thoughts, formulate ideas and debate about composers and composing.

The directors will offer a composition assignment to the 3 most promising composers – de ereprijs € 2.500, National Youth Orchestra € 2.500 and International Masterclass € 1.500.

The meeting is generally considered to be extremely inspiring and especially interesting for young composers.
During the week the 3-minute pieces of the selected composers will be rehearsed by orchestra de ereprijs.
There will be lectures by Louis Andriessen and the senior composers and a workshop composing for voices.
And of course the final concert, presenting all the pieces.

We hope we have aroused your interest in this project and that you will inform young (below 30 years) talented composers about the meeting and encourage them to take part in it.

Application form YCM 2017

Applications close October 15th 2016

The Esoterics’ 2016 POLYPHONOS competition

POLYPHONOS is The Esoterics’ annual competition for choral composition. The name of the competition comes from the Greek πολυφωνος, meaning “many voices” or “manifold in expression.” Now in its tenth season of hosting this competition, The Esoterics is excited to announce its international call for a cappella choral scores for POLYPHONOS.

The Esoterics is dedicated to performing and perpetuating contemporary a cappella choral settings of poetry, philosophy, and spiritual writings from around the world. The purpose of The Esoterics’ POLYPHONOS is to encourage today’s choral composers to broaden the scope of the a cappella choral repertory by setting sacred and poetical texts found beyond the Western classical canon in order to create a repertoire of choral concert music that reflects the universal beauty and power of unaccompanied voices joined in song.

2016 Competition:

Each winning composer will receive a commission from The Esoterics to plan and compose a new choral work that will be premiered by the ensemble in 2016. In addition to this commission, each of the winning composers will receive $1000 US plus airfare and accommodations to attend the Seattle premiere of their commissioned work. There will be up to three POLYPHONOS awards:

  • International composer’s 2016 commission (for choral composers who are not US citizens)
  • National composer’s 2016 commission (for choral composers who are US citizens)
  • Young composer’s 2016 commission (for choral composers under age 30 as of 31 December 2016)

THERE IS NO ENTRY FEE FOR THIS COMPETITION

NEW DATES for 2016!
The 2016 POLYPHONOS submission deadline is 25 September.
All applications must be complete and received by that date.
The winners of the competition will be announced on or around 1 October.

For more information, visit http://www.theesoterics.org/polyphonos

Lilburn Research Fellowship, 2017

The Lilburn Trust, in association with the Alexander Turnbull Library, is delighted to announce the invitation of applications for the Lilburn Research Fellowship, 2017.

The aim of the Lilburn Research Fellowship is to encourage scholarly research leading to publication on some aspect of New Zealand and music, using the resources of the Archive of New Zealand Music and the wider published and unpublished collections of the Alexander Turnbull Library. The Lilburn Research Fellow would also have access to the general collections of the National Library of New Zealand as well as online resources.

The Fellowship is for one year and would commence in early 2017. The Fellow is expected to be based primarily at the National Library in Wellington for the term of tenure. Office space and facilities will be provided. The successful applicant will receive a grant of up to $70,000.

Further information, including conditions, application guidelines and previous recipients, can be found on the Douglas Lilburn website at:
http://www.douglaslilburn.org/lilburn_research_fellowship.html

Please note that the closing date for applications is 14 October 2016.

For further enquiries, contact Keith McEwing: Keith.McEwing@dia.govt.nz; +64 4 470 4483

ISCM 2017 Vancouver – Call for Works

The official Call for Works is now released for ISCM’s World New Music Days 2017, to be held in Vancouver, Canada from November 2 – 8, 2017.

This very exciting 7-day festival and international gathering promises the chance to hear music from over 50 countries played by world-class performers, and unprecedented networking opportunities amongst the global community of composers and performers of new music. For detailed information about the Call for Works and the Festival, see http://iscm2017.ca

CANZ is the official NZ member (Section) of the ISCM, and will be selecting and submitting six works as our Official Submission. We now invite members to submit works to CANZ for consideration. The deadline for submission to CANZ is Monday 31st October 2016. Please send all materials electronically to kiosk@paradise.net.nz. Receipt will be acknowledged of your submission. If for some reason you do not receive such acknowledgement, please send an inquiry to CANZ President (and ISCM Vice-President) Glenda Keam .

You must be a current member of CANZ to make a submission to our official NZ entry (if you wish to join CANZ, please see http://canz.net.nz/join-canz/ ) All works must have been written no earlier than 2006, and priority will be given to works completed in 2011 or later. ISCM will give preference to compositions no longer than 12 minutes. The Official Submission from CANZ will include works fitting at least four of the 14 submission categories. The range of score/project categories is particularly (and excitingly) broad – it is essential that you ensure your entry matches the specifications for one of the categories, described in detail here: http://iscm2017.ca/categories/

In order to submit works in the official NZ entry, CANZ requires the following:
1. The composer’s personal and contact information: Given names; Family name; Name as it should appear in the programme; Date of birth; full Mailing address; Gender; Phone no.; email address; website (if applicable).
2. Composition Information: Title; Submission Category; Accurate duration; Year of composition; Statement of whether the work has been previously performed in Canada; Statement of whether the work has been previous performed outside Canada.
3. The score (PDF document preferred), or audio/video documentation if the work does not have a written score.
4. An audio or video recording of the work (if possible).
5. Programme notes for the submitted work in English (maximum 100 words).
6. Technical rider specifying all equipment necessary to perform the work.
7. Short biography of the composer in English (maximum 100 words).
8. Proof of nationality of the composer (copy of passport or identity card).
9. High-resolution digital photograph of the composer.

Individual Submissions are also welcomed by ISCM, and must be submitted online direct to the ISCM in English – see http://iscm2017.ca/individual-subs/. An entry fee of €53.50 applies to Individual Submissions, payable at the time of submission.

Selected works for the ISCM World New Music Days 2017 will be announced in March, 2017.

ISCM World New Music Days 2017 is jointly presented by:

The International Society for Contemporary Music

The International Society for Contemporary Music Canadian Section

The Canadian League of Composers/La LigueCanadienne des Compositeurs

Music on Main

impuls International Composition Competition

impuls promotes and supports young composers not only within its Academy, but also through the impuls Composition Competition.

impuls commissions up to 6 new works for ensemble every second year from young composers selected by a jury. Subsequently these composers are invited to take part in the impuls Composition Workshop in Vienna and Graz – where their new works are collectively rehearsed and discussed extensively with musicians of world-class ensembles such as Klangforum Wien – as well as to the premiere of their new pieces within the impuls Academy and Festival in Graz.

impuls also intends to support the composers´ works beyond that through recordings respectively broadcasting and additional concerts.

The current call runs from May 31st to October 31st, 2016.

Further information can be found at: http://www.impuls.cc/competition.html

Call for Scores – Risuonanze 2017

Associazione Culturale TKE is calling for pieces to be performed at the “Risuonanze 2017 – incontri di nuove musiche” Festival, which will take place early June, 2017, in Friuli Venezia Giulia region – Italy (for the previous
edition results: http://www.risuonanze.it/calls/results2016.html#ENGLISH).

The Call is open to composers of any nationality and age.

Pieces should be written for solo piano, or solo violin, or solo flute [C Flute, Piccolo, G Alto flute], or solo trombone, or solo voice [mezzo-soprano], or voice [mezzo-soprano] and piano, or two flutists, or two violins, or flute and piano; use of tape and/or electronics is not allowed.

The submitted works should not have been premiered in any public performance in Italy; if selected, these works will be presented as “world premieres” or “Italian premieres”.

Works of any aesthetic and stylistic direction, not longer than 6 minutes in duration may be submitted.

All music performed in the Festival will be radio-broadcast and professionally recorded; composers will be given a copy of the recording of their works.

15 Euros (non-refundable) must be payed via bank transfer or PayPal as a donation for contribution to costs; this amount allows to submit 1 to 6 different works.

Festival “Risuonanze 2017” is based on the direct relationship between composers and audience, so composers attending the performances are much appreciated. In that case, there is no refund for travel and lodging fees.

Associazione Culturale TKE may select one or more pieces in each category; it may also decide not to choose any composition.

Submission deadline: February 27th, 2017

For any further information, please visit: http://www.risuonanze.it/calls/call.html

Apply for the Saari Residence!

The Saari Residence is a tranquil facility and a fruitful meeting point for artists and researchers in Mynämäki, Finland. The Saari Residence offers Finnish and non-Finnish artists, critics and translators the chance to work intensively for a period of two months in a relaxed countryside setting from September to April. Artistic groups may also apply for use of the residence’s facilities for limited periods of time from May to August.

Each resident is provided with an apartment and workroom. Kone Foundation provides monthly grants (2,350 or 2,700 euros/month) for the duration of the residency period. Groups can apply for grants to compensate for expenses.

Further information available at http://www.koneensaatio.fi/en/tuemme/residency-applicants/

Call for Submissions – Writing Around Sound #3

Writing Around Sound is now calling for proposals for its November 2016 edition.

As the name suggests, the journal is not solely concerned with writing about sound or sound practice, but also writing around it. Audio culture, sound art and their concerns and contexts are employed as both a focus and a point of departure of the journal’s content, which not only includes the textual, but embraces the visual and audible (via an online audio component).

Written, visual or sound submissions are now invited for the next issue, the theme of which is “What is the contemporary sound object?”. Contributors may choose to embrace this as a provocation or propose works on other topics. If you are interested in contributing, please contact editors@cssa.org.nz with a brief (500-word maximum) outline of your proposal before 7th August. Successful applicants will be informed in late August with a final 1st October copy deadline.

For more info, visit http://auricle.org.nz/call-for-submissions-writing-around-sound/

Live! International Call for Scores – mdi ensemble

Mdi ensemble, in collaboration with Associazione per lo Studio e la Promozione della Musica Contemporanea – ASPMC and Associazione MusicAdesso of Milan, in the framework of SoW – Sound of Wander 2016, is pleased to announce its first international call for scores. The aim is to select three to six works written by composers under 35 to be performed on the 20th of December in Milan, in occasion of the last concert of SoW’s season (special guest: Dmitri Kourliandski).

Compositions (max 2 for each applicant) must be scored for chamber ensemble (2-7 players without conductor) for any of the following instruments:

– flute (piccolo, in C, alto flute, bass flute)
– clarinet (piccolo, in A, in Bb, bass clarinet)
– violin
– viola
– cello
– piano
– percussions (1 player)
If the score requires instruments/objects other than the ones listed above (little percussion instruments, gadgets, etc.), composers must provide them to the ensemble in time for rehearsals; otherwise, the ensemble could decide not to perform the piece.

Electronics and/or amplification are not allowed.

Please submit BY THE 10TH OF SEPTEMBER 2016 all the documents.

http://www.aspmc.eu/?page_id=1791&lang=en_US