Mise-en Music Festival 2018

ensemble mise-en is thrilled to announce the call for scores for the MISE-EN MUSIC FESTIVAL 2018! The festival has featured more than 30 pieces each year since 2014.

In order to participate, all selected composers are required to attend the festival. Selected composers will have the chance to collaborate with ensemble mise-en as well as other guest ensembles. This is a unique opportunity to share your work with not only a New York City audience, but also with visiting musicians and composers from around the world.

In 2018, two of the selected composers will also receive a residency opportunity at MISE-EN_PLACE Bushwick during the festival (June 27-30).

Deadline: December 15, 2017 (EST 11:59PM)

Submission Fee: $25

The guidelines for the submissions:

1. Applicants may be of any nationality and age.
2. Selected composers must be present at the festival (June 27-30, 2018) in New York City.
3. You may only send one piece per category. Please note that multiple submissions are welcome, but each must be submitted as a separate entity.
4. Those composers chosen to write new works (CATEGORY #4) will be notified by January 1st, 2018. All other composers chosen to participate in the festival will be notified by February 28th, 2018.

CATEGORIES
1. Chamber Ensemble (2-8 musicians including a conductor) with/without electronics
2. Solo Instrument (any standard orchestral instruments) with/without electronics
3. Chamber Orchestra (up to 20-piece ensemble) with/without electronics
4. Proposal for a new piece (flute, clarinet, trombone, piano, percussion, violin and cello with/without electronics)*

*This category is for undeveloped works or works-in-progress. Selected works must be completed and submitted by mid-April 2018 for inclusion in the festival program.

For more information see https://festival.mise-en.org/submission/

Torre Della Quarda – 2018

The composition competition “Torre della Quarda” is an international event; it will be a key element of Festival Internazionale di Musica di Savona and it will contribute to enrich an artistic proposal which has reached in 2018 its sixth edition.

The principal objective of the competition is to give support to the composition of new musical pieces and to promote the creativity in the musical field. Our hope is to bring the best emerging talent of composition from all over the world to Savona.

The participation will be open to competitors from all countries, without limits of age, aesthetic trends and compositional styles. Our aim is to stimulate a dynamic relationship between an active audience and authors sensitive to creative innovation. The winners will receive their awards in a special ceremony during the Festival and their compositions will be played as concerts, parts of the Festival itself.

A further aim of the competition is to act as a significant occasion of cross interaction, overcoming generational and geographical divides. Different generations of composers will have the opportunity to meet and compare their various perspectives. The same will happen between musical schools of different origins, born from different cultures but sharing the universal language of sound.

The candidates for the participation in the competition must pay a fee, under title of a donation, as a reimbursement of expenses (not refundable) of:
Euros 15 for section 1 (chamber music)
Euros 35 for section 2 (orchestra)

Scores must be received no later than 15th April 2018

For instrumentation and further information see http://www.ensemblenuovemusiche.eu/en/composition-competition-2018/

CALL FOR SCORES “RISUONANZE 2018”

Associazione Culturale TKE is calling for pieces to be performed at the “Risuonanze 2018 – incontri di nuove musiche” Festival, which will take place in Friuli Venezia Giulia region – Italy.

The Call is open to composers of any nationality and age.

Pieces should be written or the specified instruments and chamber groups; use of tape and/or electronics is not allowed.

The submitted works should not have been premiered in any public performance in Italy; if selected, these works will be presented as “world premieres” or “Italian premieres”.

Works of any aesthetic and stylistic direction, not longer than 6 minutes in duration may be submitted.

All music performed in the Festival will be radio-broadcast and professionally recorded; composers will be given a copy of the recording of their works.

18 Euros (non-refundable) must be payed via bank transfer or PayPal as a donation for contribution to costs; this amount allows to submit 1 to 6 different works.

Festival “Risuonanze 2018” is based on the direct relationship between composers and audience, so composers attending the performances are much appreciated. In that case, there is no refund for travel and lodging fees.

Associazione Culturale TKE may select one or more pieces in each category; it may also decide not to choose any composition.

Submission deadline: March 19th, 2018

Please see the following page for the range of available instrumentation: http://www.risuonanze.it/calls/call.html

Australian and New Zealand Viola Society Viola Composition Competition 2017

Entries are invited for the 2017 ANZVS Viola Composition Competition.

Aim: To promote composition and performance of new viola works in Australia and New Zealand.

Closing dates for all 2017 Divisions: 2 August 2017

Conditions of Entry:

  1. The composer must be a resident or citizen of Australia or New Zealand
  2. Divisions. There are two age divisions:
    Student: Under 18 years old as of 31 July 2017
    Open: 18 years old or over as of 31 July 2017
    Categories: (Both divisions have two categories)
    Composers may submit one entry in each category:
    Viola Solo Category: Viola Solo (unaccompanied)
    Viola Ensemble Category: Two or more violas
    (only viola ensembles – no other instrument allowed)
  3. Pieces are to be up to five minutes duration.
  4. The composition must indicate metronome markings and duration.
  5. The composition must not have been previously performed in public, or previously published, nor may it be a transcription in part or whole ofanother work that has been previously published or performed.
  6. Each composition including score and parts, is to be submitted electronically including a soundfile and entry form. Email a request for the official entry form and detailed guide to Olwyn Green: cogreen@actrix.co.nz with the heading: ANZVS Viola Comp Entry Form Request
  7. The manuscript must be easily legible when printed on A4 portrait sheets with consideration given to convenient page turns (if needed) for the performer. The composer must be identified on the manuscript itself by a nom-de-plume to ensure anonymity.
  8. Judging: ANZVS has appointed a panel of three judges with a range of experience in composition and performance on the viola. The panel’s decision is final and no correspondence will be entered into.
  9. Prizes for each division:
    Student: $250 in prize money for each category
    (Solo & Ensemble) to be distributed at the judges’ discretion.
    Open: $500 in prize money for each category
    (Solo & Ensemble) to be distributed at the judges’ discretion.
    Special prizes: Up to $100 to be awarded at the judges’ discretion.
    The judges reserve the right not to award a prize or modify the amount of any prize.
  10. The winning, highly commended compositions and entries from composers who attend the viola days will then be performed in the workshop and awards session:
    September 3rd, 9:00–10:30 am at the 44th International Viola Congress in Wellington
  11. Results will be published in the issue of the ANZVS Journal after all the prizes have been awarded.
  12. Manuscripts and photocopies will be retained to be used in workshops at the congress. At all times copyright remains with the composer.

Closing date 2nd August, 2017.

Call for scores – NZ Harp Duo Composition Competition

The New Zealand Harp Duo are pleased to announce a competition for a new composition for two concert harps.
Two first prizes are offered, one for each category.

Category 1: 2-4 minutes
Must be currently enrolled in secondary school
Prize money $300

Category 2: 4-8 minutes
Under 30 years of age
Prize money $600

The winning compositions will be performed as part of the NZ Harp Duo’s concert series in 2017.

Closing date: entries must be received by midnight on the 19th August. Winners will be notified by 30th of September.

For further information see http://nzharpduo.com/composers-competition

Call for Scores: Osmose Intermezzo

https://danbaas.wordpress.com/2017/03/05/osmose-intermezzo/

We kindly invite composers to submit scores. The call is open to composers of any nationality and age. Pieces should be written for professional duo of violoncelli, only one work per composer. Submitted work must be premiered work in Belgium.

Duration : 3 minutes maximum

Participation fee : 20 euros (the entry fees are not refundable). Registration becomes effective after receipt of the fee. Please send short recent CV (5 lines), proof of the payment and readable score format PDF to the following address : dan.baas@skynet.be

Deadline : July, 30, 2017

Selected composers will be notified by email on September, 30, 2017.

CALL FOR WORKS: ACOUSMATIC STEREO WORKS

Swiss Contemporary Music Festival call for acousmatic works.
To be programmed during the 2017 festival.

Submission deadline
31 MAR 2016, 10am UTC

– No entry fee
– No age limit
– No style restriction
– Up to 2 works/composer
– Composers selected in former calls can submit again
– Works selected in former calls are no more elegible

The selected pieces will be played
during the festival in Schloss Leuk 1-5 June 2017,
presenting a selection of International Compositions of nowadays Electronic Music in a specific concert.

Submission details
http://www.forumvalais.ch/fw17-callforacousmaticworks.pdf
http://forumvalais.ch

Call for Scores: ACL Special Event Japan

The Asian Music Festival (AMF) 2017 in Japan will be held on November 2 and 3, 2017 in Tokyo, with two days of events aimed at providing enjoyment for a broad variety of audiences, composers and musicians on the theme ”Prayer”

When: November 2, 3 2017 (2 days, 4 concerts)

Venues: Tsukiji Hongwanji Temple (Chuo City), Anyouin Temple (Itabashi City)


Eligibility

1. Each entrant is allowed to submit one work only.

2. The work must be in only one category from the following list:

a) Chamber orchestra “Conductors are Composers”

Maximum of 15 performers from the following instruments: 1fl, 1ob, 1cl, 1bsn, 2hn, 1tpt, 1tbn, 1hp, perc(2 performers), 2vln, 1vla, 1vc, 1cb.

The maximum duration is 15 minutes, in order to perform as many pieces as possible.

b) Chamber music

Chamber music of up to 12 minutes, for 5 performers from the following instrumentation:

1fl, 1ob, 1cl, 1bsn, 1hn, 2vln,1vla, 1vc, 1 shakuhachi, 1shamisen and 1koto.

c) Electroacoustic music

Electroacoustic work of up to 10 minutes. (2 channel speaker)

Composer must operate the computer by her/himself at the concert on
3rd November.

3.The score, along with the title of the work, the composer’s name in English on the cover and the following information (a–k) must be submitted. The information should be written either in Japanese or in English and, where applicable, Chinese names should include the equivalent Chinese ideographs.

 a. Name
b. Nationality, date of birth
c. Address, e-mail address
d. Title of the work
e. Year composed (pieces composed in or after 2012 are especially encouraged)
f. Duration, instrumentation
g. Biography of composer (maximum 100 words)
h. Program notes (maximum 100 words)
i.  Has the work been performed? If yes, where?
Has the work been performed in Japan? If yes, when?
j.  CD of the work (if available)
k. Photo of the composer

4. The application must reach the secretariat before March 31st, 2017.

5. The applicants will be informed of the contest results by July 1, 2017. The individual parts of selected scores should be submitted at a later date (to be announced).

6. The copyright fee for the work performed will be paid in accordance with the regulations of the Japanese Society for Rights of Authors, Composers & Publishers.

The composers are asked to waive the right to any and all possible broadcasting of the selected work (in part or in whole, in any style or method of program; news, musical or otherwise).

7. The organizers are unable to cover the performance fee, airfare and accommodation
for composers.

8. The application should be mailed to:

The Japan Federation of Composers
#101 Mimori Bldg., 1-19-4 Hatsudai Shibuya-ku, Tokyo 151-0061 Japa
Tel: (81)3-6276-1177 / Fax: (81)3-3376-3371 e-mail: info@jfc.gr.jp

Tesla Quartet Call for Scores 2016

The Tesla Quartet is pleased to announce its inaugural Call for Scores. Composers are encouraged to submit completed works for string quartet for consideration, with the winning quartet receiving two performances in the spring of 2017. Any composer is eligible regardless of age, nationality, sex, color, creed, sexual orientation, marital status, disability or veteran status. The composition must be written for string quartet (2 violins, viola, cello) and must have a duration between 5 and 20 minutes.

The selection will be made using a blind evaluation process. All submissions will go to a dedicated email address, teslacallforscores@gmail.com, which will be monitored by an assistant who will transfer all the anonymous scores to the members of Tesla Quartet for review. An anonymous call prevents against any bias while selecting the work. Our decision will be made purely on quality of the music and not personal connections we may have with composers.

The winning work will receive two performances in the spring of 2017:

April 1, 2017
Mount Allison University
Sackville, New Brunswick, Canada

April 8, 2017
Western Piedmont Symphony Chamber Classics
Hickory, NC

The composer of the winning work is strongly encouraged to travel to the performance and Tesla Quartet will gladly provide a travel stipend of $400 towards his/her travel expenses.

Application Deadline: All submissions must be sent and fees paid by 11:59 pm EST on December 1, 2016. Entries received after this date will not be considered.

For application process and guidelines visit: http://www.teslaquartet.com/call-for-scores-2016

Orkest : de ereprijs Invitation to the 23nd Young Composers Meeting 2017

From February 12-17, 2015 the 23rd successive International Young Composers Meeting will take place in Apeldoorn, The Netherlands. The meeting is organized by orchestra de ereprijs in collaboration with the International Gaudeamus Music Week.

The directors of the 23rd meeting are Martijn Padding, Richard Ayres, Joe Cutler and Christopher Trapani.

They will get together with 16 potential and coming talents selected by the seniors. The aim of the meeting is to rehearse the young composers’ score with de ereprijs and up to 5 voices, to exchange thoughts, formulate ideas and debate about composers and composing.

The directors will offer a composition assignment to the 3 most promising composers – de ereprijs € 2.500, National Youth Orchestra € 2.500 and International Masterclass € 1.500.

The meeting is generally considered to be extremely inspiring and especially interesting for young composers.
During the week the 3-minute pieces of the selected composers will be rehearsed by orchestra de ereprijs.
There will be lectures by Louis Andriessen and the senior composers and a workshop composing for voices.
And of course the final concert, presenting all the pieces.

We hope we have aroused your interest in this project and that you will inform young (below 30 years) talented composers about the meeting and encourage them to take part in it.

Application form YCM 2017

Applications close October 15th 2016