35th Asian Composers League Festival Taiwan 2018 Call for Scores

Orchestra: 8~12 mins. Usual instrumentation; may be concertos, but the composers should invite and fully support their soloist(s).
3333-4331-1Timp.+3Perc.-Strings

Chinese Orchestra: 8~12 mins. Instrumentation should be limited within:
4 Gaohu, 4 Erhu I, 4 Erhu II, 6 Zonghu, 4 Gehu, 2 Beigehu, 2 Xiaoruan, 3 Zhongruan, 2 Daruan, 2 Pipa, 2 Yangqin, 1 Guzheng, 1 Gaodi, 2 Zhongdi, 1 Xindi, 2 Soprano Sheng, 1 Alto Sheng, 1 Bass Sheng, 1 Soprano Suona, 1 Alto Suona, 1 Tenor Suona, 4 Percussion

Choral Music: within 8 mins. Chamber Choir with 18 singers:
5 Sopranos, 4 Altos, 4 Tenors, 5 Basses. With or without piano accompaniment. Prepared piano is not possible.

Chamber Music for Chinese and Western Instruments: within 10 mins. For 6~10 players.

Chinese instruments should be limited within: 1 Erhu, 1 Pipa, 1 Di, 1 Sheng, 1 Zheng

Western Instruments should be limited within: 1 Flute/Picc, 1 B♭/A Clarinet, 1 Alto Saxophone, 2 Violin, 1 Viola, 1 Cello, 1 Piano. Prepared piano is not possible.

Chamber Music: within 10 mins. Instrumentation should be limited within:
1 Flute/Picc, 1 B♭/A Clarinet, 1 Alto Saxophone, 2 Violin, 1 Viola, 1 Cello, 1 Piano. Prepared piano is not possible.
A: For 4~5 players
B: For 1~3 players
May include traditional instruments, but the composers should invite and fully support the musician(s).

Percussion Ensemble: within 10 mins. Up to 6 percussionists.

Electroacoustics/Multimedia: 5~10 mins., works more than 10 minutes in duration will be at a disadvantage.

Category: tape music/acousmatic music (up to 8-channel), solo instrument/voice + electronics, ensemble + electronics (no more than 3 instruments), audio-visual work.

Submission material: recording (CD,DVD), score (if with instrument(s)), technical specifications.

Completed application form – Application Form ACL Taiwan 2018

Deadline: all the required material should be RECEIVED by CANZ BEFORE 26 February 2018.

Please email materials to president@canz.net.nz

 

The 35th ACL Conference and Festival Young Composers Competition

Duration should be within 8 mins. A work written for a duet of two heterogeneous instruments, from the following – two groups respectively:
Group A: Violin, Viola, Violoncello and Double Bass
Group B: Flute/Picc, Oboe, B ♭ /A Clarinet and Bassoon

NOTE: only duos for one string instrument with one woodwind instrument will be considered.

Each ACL country shall select a Young Composer Representative under the age of 30 (born after
Oct. 19, 1987), and the score should be received by CANZ BEFORE 26 February 2018.

Please email materials to president@canz.net.nz

IMPORTANT
Each applicant can submit up to 2 compositions. When a composition is selected to be performed
in the festival, the applicant needs to provide a score and parts at no charge, and is responsible for clearing all the performance-related rights of the piece. If the composition includes traditional
instruments that cannot be found in Taiwan, the applicant needs to provide the instruments for rehearsal and performing use, and to invite instrumentalists when needed.
The host country will ONLY consider applications sent through ACL official members.
Any compositions previously submitted to any ACL music festivals cannot be submitted to this festival. The Applicant must submit one score (copied and bound). For electroacoustic compositions, one score or guide and the system plan must be submitted.

ACL-Taiwan Contact Information:
Email: info@acl-taiwan.org.tw
Fax: +886-2- 8809-2522
Add: P.O. Box 2-40 Tamsui Zhuwei, New Taipei City 25199, TAIWAN

SOUNZ Commission for Emerging Players 2018

In May 2018 Orchestra Wellington and Arohanui Strings will be giving a performance at the Walter Nash Stadium in Lower Hutt. This commission is an opportunity for a composer to create a work of 4-5 minutes featuring the combined forces of Orchestra Wellington and Arohanui Strings. The resulting work will need to have separate parts at an appropriate level for Arohanui Strings, and be suitable for a concert that will include popular songs, arias and overtures.

Call for proposals

Proposals for the commission from New Zealand composers should be emailed to info@sounz.org.nz by 9am Friday 8 December 2017. All applications will be forwarded to a panel facilitated by SOUNZ, and the succesful proposal will be announced on Monday 18 December 2017.

For more information see https://www.sounz.org.nz/events

The 2018 Salvatore Martirano Memorial Composition Award

Eligibility: Any composer, regardless of age or nationality is eligible. Previous winners, faculty, and currently-enrolled students at the University of Illinois are ineligible for the competition.

Awards: First Prize cash award of $1000 and second prize cash award of $500 plus performances by the Illinois Modern Ensemble in the fall of 2018 on the 22nd Annual Martirano Award Concert at the Krannert Center for the Performing Arts on the campus of the University of Illinois. Additional awards and performances may be given at the discretion of the judges.

Judges: A panel of judges consisting of international composers and University of Illinois music composition faculty members will select the winning compositions. The winning composers are expected to attend the 22nd annual award concert and reception, and will be responsible for their transportation costs (the competition will provide lodging and some meals). The winning composers will assume full responsibility for providing adequate performance materials upon request.

Guidelines:

  1. Medium: Full scores of any style or aesthetic direction for 1-15 performers (including vocalists) may be submitted. Works for electronics and/or mixed media (including video), with or without instruments and voices, are eligible.
  1. Duration: 20 minutes maximum
  1. Limit: One entry per composer
  1. Entry fee: A non-refundable entry fee of twenty US dollars (20.00 USD) is paid online at the time of submission. All major credit cards are accepted.
  1. Anonymous Submission: The composer’s name must not appear on the score or in any accompanying materials submitted online.

Entries must be submitted and paid for online by Monday, April 16, 2018 11:59PM CST (23:59 GMT-0600).

For more information and to submit scores go to: https://music.illinois.edu/martirano-award

For questions: zbrownin@illinois.edu

 

Creative New Zealand/Jack C. Richards Composer-in-Residence at NZSM 2018-2019

Composers are invited to apply for the position of Creative New Zealand Composer-in- Residence at the New Zealand School of Music 2018–19.
Applicants should hold a current New Zealand passport or have been residing in New Zealand for the 12 months prior to the application deadline, and be composers of proven merit. The appointment will be for twelve months from 1 July 2018 to 31 June 2019, with a salary in the range of NZ$60,000–$70,000.

Partner organisations include: Orchestra Wellington, Lilburn Residence Trust, Centre for New Zealand Music (SOUNZ), Wai-te- ata Music Press, as well as numerous Wellington-based performers and ensembles who have expressed interest in working with the successful candidate.

The application should comprise a single application document (in either PDF or Microsoft Word format), that includes the following four sections, ideally in the following order:

1) A current CV, which must include your contact details, qualifications, compositional experience,
current employment status and a list of selected compositional output.

2) A Work Proposal. See below for more details.

3) A URL (or list of URLs) to an online portfolio/showreel of no more than 4 representative works. Notated compositions should include links to both scores and recordings. Music scores should be viewable/downloadable in PDF format, and recordings in either MP3, AIFF or WAV format. Audiovisual works can be hosted via an online video service such as Vimeo or YouTube.

4) Confirmation that you are a New Zealand citizen or that you hold New Zealand residency, such as a scan of your current NZ passport.

For a full role description and information about the application process, please visit http://www.victoria.ac.nz/about/careers/current-vacancies – Reference 1868

Applications close: Friday 8 December 2016

Franco Donatoni Competition for Young Composers

Composers of any nationality, born after 1st January 1982, are eligible to participate in the selection by submitting one (or more) composition(s) for an instrumental ensemble of between 5 and 12 performers by 10th January 2018.

An international jury will select by 15th February 2018 three compositions that will be performed by Divertimento Ensemble in Milan on 29th March within the 2018 Rondò concert season.

The three selected composers will then be asked to write a new composition for soprano, baritone and ensemble, whose duration must be between 8 and 12 minutes; the three new compositions will be performed during the 2019 Rondò concert season, on the occasion of the fifth edition of the ‘Franco Donatoni’ International Meeting for Young Composers. The selected composers (who will have delivered score and parts within the deadline foreseen by the rules) will take part in the rehearsals in Milan and will work in close contact with the musicians of the ensemble and the singers.

RULES

1. Composers of any nationality, born after 1st January 1982, are eligible to participate in the selection to take part in the ‘Franco Donatoni’ International Meeting for Young Composers. Each applicant may submit one (or more) composition(s) for an instrumental ensemble of between 5 and 12 performers.

2. All applicants should submit by 10th January 2018 the following online form for each score submitted:
http://idea.divertimentoensemble.it/application-form-franco-donatoni-international-meeting-2018/

In the enrollment form you’ll be asked to attach:
– the score/scores;
– a copy of an ID document.
After filling out the form, you will be addressed to the PayPal page to pay the enrollment fee of € 30 for each score submitted (this fee will only be reimbursed in case the ‘International Meeting’ is cancelled).
Should the PayPal payment not be possible, you may proceed to bank transfer as follows:
Banca Prossima, bank account in the name of Divertimento Ensemble,
IBAN IT70P0335901600100000101448
showing as payment reason First Name, Surname, Internation Meeting ‘Franco Donatoni’.
You’ll then be asked to send copy of the money transfer to idea@divertimentoensemble.it.

3. Original scores as well as scores that have already been published and/or performed are both eligible for submission. They should not be anonymous. If possible, they should be accompanied with a recording of the performance.

4. An international jury of five composers (Franck Bedrossian, Sandro Gorli, Mauro Lanza, Fabien Lévy andGabriele Manca) will select by 15th February 2018 three composers who will be invited to take part in the International Meeting. The selected composers will be personally informed, and the selection will also be announced on IDEA’s website by 16th February 2018.

5. The three chosen scores will be performed during Divertimento Ensemble’s 2018 Rondò concert season on March 29th, in Milan.

6. Each of the three selected composers will furthermore be invited to write a 8-12 minutes composition for soprano, baritono and ensemble with words by the Italian poet and writer Pier Paolo Pasolini. The score and the parts must be delivered by 31st December 2018.

7. The three new works will be performed by Divertimento Ensemble in 2019 in Milan, on the occasion of the fifth edition of the ‘Franco Donatoni’ International Meeting for Young Composers, within Divertimento Ensemble’s 2019 Rondò concert season.

8. The three selected composers will take part in the rehearsals of their new composition, working in close contact with musicians and singers. Each composer will be entitled to a reimbursement of Euro 1,000 gross, for travel, board and lodging expenses incurred.

9. Each applicant, by submitting his/her application to participate in the International Meeting, agrees unconditionally to be bound by these rules.

Divertimento Ensemble International Workshop for Young Composers

Applications are open for admission to Divertimento Ensemble’s fourth International Workshop for Young Composers (for ensemble). Up to 12 participants will be selected.

Interested composers, not exceeding the age of 35 (as of July 6th, 2018), should fulfill no later than November 30th, 2017 the form available online at the following link: http://idea.divertimentoensemble.it/application-form-iwyc-ensemble-2018/

A jury composed by the two tutors of the workshop together with two musicians of Divertimento Ensemble and their conductor will select no later than December 12, 2017 the twelve admitted composers.

Admitted composers will be asked to send, no later than May 15th, 2018 the score and the instrumental parts of the piece with which they will participate in the workshop.

The instrumental ensemble, of minimum six performers, will be included among the following instruments: flute (also piccolo, alto flute and bass flute), oboe (also English horn), clarinet (also also E flat and bass clarinet), two violins,viola, cello, piano and percussion (percussion instruments must be previously agreed).

The piece must not exceed 7 minutes duration. This can be a new composition written specifically for the workshop, or an existing composition (including the one that has been submitted if in line with the instrumental ensemble).

During the ten days of the workshop, participants will have individual lessons with the two tutors and with the conductor of the ensemble to discuss their scores or other pieces, as well as working sessions with the performers of the ensemble; they shall listen to the rehearsals of their own work and of all the programmed pieces. They will participate in the scheduled masterclasses.

All the compositions will be performed in two public concerts in Bobbio on July 14 and 15, 2018. A maximum of three compositions will be selected after the performances in Bobbio to be included in the Rondò 2019 concert season (Milan, January-June 2019).

It is possible to take part in the workshop as observers.

The workshop overall schedule includes the following time/activities to be divided among all the participants:
– 36 hours of rehearsal with the ensemble (to be divided among all the scores)
– 30 hours of individual lessons with each of the two tutors (to be divided among all the participants)
– 6 hours of individual meetings with the conductor of the ensemble (to be divided among all the participants)
– 4 hours of individual meetings with the musicians
– 2 hours of masterclasses by each of the two tutors
– 3 hours of masterclasses by Daniele Ghisi*

Participation Fee
Participant: 600 euros (to be paid by January 15th, 2018)
Observer: 200 euros

Accomodation
One hostel and various structures offer accomodation at favourable prices.

Detailed calendar and subject of the masterclass are available online: http://idea.divertimentoensemble.it/application-form-iwyc-ensemble-2018/

Vienna Summer Music Festival 2018

The Composers Forum at the VSMF is currently accepting students for its 2018 season which will take place from June 11 – 30th. There are currently 20 slots available and applications will close March 15th. Priority will be given to students who apply early.

Participants will:

– Have their music performed by PHACE, a professional contemporary music ensemble, at the VSMF Contemporary Music Concerts at the end of the festival;

– Work directly with PHACE and have their compositions workshopped by the faculty;

– Receive professional recordings of their pieces;

– Attend private lessons with leading Viennese composers;

– Attend seminars and travel to historically important locations in Vienna and its surrounding cities;

– Participate in masterclasses with visiting guests such as: Beat Furrer, Johannes Maria Staud, Pierluigi Billone, Irister Schiphorst, and Bernhard Lang;

– Compete to have an orchestral piece performed. The winner will receive a performance of her/his orchestral composition in Prague.

For more information see http://www.viennasummermusic.com/composition/

Mise-en Music Festival 2018

ensemble mise-en is thrilled to announce the call for scores for the MISE-EN MUSIC FESTIVAL 2018! The festival has featured more than 30 pieces each year since 2014.

In order to participate, all selected composers are required to attend the festival. Selected composers will have the chance to collaborate with ensemble mise-en as well as other guest ensembles. This is a unique opportunity to share your work with not only a New York City audience, but also with visiting musicians and composers from around the world.

In 2018, two of the selected composers will also receive a residency opportunity at MISE-EN_PLACE Bushwick during the festival (June 27-30).

Deadline: December 15, 2017 (EST 11:59PM)

Submission Fee: $25

The guidelines for the submissions:

1. Applicants may be of any nationality and age.
2. Selected composers must be present at the festival (June 27-30, 2018) in New York City.
3. You may only send one piece per category. Please note that multiple submissions are welcome, but each must be submitted as a separate entity.
4. Those composers chosen to write new works (CATEGORY #4) will be notified by January 1st, 2018. All other composers chosen to participate in the festival will be notified by February 28th, 2018.

CATEGORIES
1. Chamber Ensemble (2-8 musicians including a conductor) with/without electronics
2. Solo Instrument (any standard orchestral instruments) with/without electronics
3. Chamber Orchestra (up to 20-piece ensemble) with/without electronics
4. Proposal for a new piece (flute, clarinet, trombone, piano, percussion, violin and cello with/without electronics)*

*This category is for undeveloped works or works-in-progress. Selected works must be completed and submitted by mid-April 2018 for inclusion in the festival program.

For more information see https://festival.mise-en.org/submission/

ManiFeste Electroacoustic Music Workshops 2018

This workshop features intensive hands-on classes on performing electroacoustic music, sound diffusion, and controlling electronics. Intended for sound engineers and computer music designers who wish to acquire professional experience in preparing the musical and logistical aspects of electroacoustic concerts and rehearsals.

Interpretation Workshop: Electroacoustic Music

Monday, June 18 — Saturday, June 30, 2018
@Ircam & Centre Pompidou
Présentation publique: Saturday, June 30, 2018

Educational Advisors: Grégoire Lorieux, Mikhail Malt, IRCAM computer music designers
Instruction in English

The 2-week long workshop on electroacoustic music, taught by IRCAM professors, features classes in a Mac-equipped room, hands-on exercises in the studio, rehearsals with musicians for a mixed music concert during which each student is responsible for the performance of the electroacoustic elements of a work on the program. This concert is the final result of the collaborative “Mixed Music Program” implemented by the Pôle Sup’93 and IRCAM. This program is designed for young performers who want to learn to perform their instruments with electronics. These young musicians from the Pôle Sup’93 will work alongside workshop students.

No age requirements

Prerequisites:

  • Ability to analyze and work on a score
  • Familiarity with the aesthetics of contemporary music
  • Applicants must have intermediary-level knowledge of programming in Max or Live and use the software on a regular basis. For Max, applicants should have followed the beginner’s level Max course or provide proof of equivalent knowledge of the Max tutorials 1 -22, Data tutorials 1 – 5, MIDI tutorials 1 – 5, and MSP tutorials 1 – 31.

Applicants must download the questionnaire on their level of computer literacy and return it with their application online.

Online Applications: ULYSSES Platform 
Applications accepted from Monday, October 9 – Monday, November 6, 2017

For more info see https://www.ircam.fr/transmission/lacademie/manifeste-2018/musiques-electroacoustiques/

ManiFeste Chamber Music Workshops 2018/2019

This year, IRCAM would like a large number of young composers to take part in the exceptional environment offered by the ManiFeste academy in June (internationally renowned composers, exceptional musicians, scientists specialized in musical domains, etc.). The first year, students will follow individual and group classes, encounters, discussions, and work on compositional sketches. Certain composers will be selected at the end of the first year to return the following summer with their sketch finalized to be performed by the Ensemble intercontemporain.

Composition Workshops for Conducted Ensemble and Chamber Music

2018: Monday, June 18 — Saturday, June 30 @IRCAM
2019: Monday, June 17 — Saturday, June 29 for composers selected at the end of the 2018 academy

Ensemble intercontemporain. Direction Julien Leroy
Educational Advisors: Marko Nikodijevic / Conducted Ensemble, Stefano Gervasoni / Chamber Music (composers)

At the end of this two-week session, approximately 20 young composers will be selected to complete their score. The works will be rehearsed and performed in concert during the ManiFeste-2019 academy (Monday, June 24 – Saturday, June 29, 2019).

Applicants must be born after January 1, 1986

Composers cannot take part in the composition workshops more than two consecutive years. They can, however, take part in all the academy’s activities as auditors.

At the end of the 2018 academy, the educational team will make their selection. The team reserves the right to select none of the sketches submitted. The team’s decision is final. Only selected works will be rehearsed and premiered during a public presentation in June 2019 (the education team reserves the right to modify this decision at a later date). This presentation will be recorded. A studio mix of this recording will be given to the composers.

Online Applications : ULYSSES Platform
Applications accepted from Monday, October 9 – Monday, November 6, 2017

For more info see https://www.ircam.fr/transmission/lacademie/manifeste-2018/composition-20182019/